The munro walk that my recent body of work focuses on, up and around Lochnagar in the Cairngorms, was written about by poet Nan Shepherd in her book The Living Mountain. Shepherd’s focus on accumulative experience rather than the peak goal as a way of exploring both our physical and mental capacities is something that I have been contemplating through my research. Walking as experiencing has also meant walking to create space for thought, a discursive space, a conscious space, a space that is mediated by personal circumstances and physical limitations. The repetitive nature of walking allows these thoughts to turn into rhythms and processes, understanding how we manoeuvre through the landscape and what that means in terms of a place in the world. You cannot go into the landscape neutrally, you bring experience with you and subsequently discover new ways of navigating space.
This primary, experiential research has led me to look into the history of walking, giving me an understanding of different notions of place, and how throughout history, walking has been used in defining personal identity.
The methodology of walking into the landscape has therefore been an intimate one. One that shares a past with female experience, in opposition to the climactic goal of male walking writers prevalent in Shepherd’s time, and one that has allowed me to confront my own, physical limitations. Slowing down physically, has allowed me to encounter the nuances of landscape and engage in a more complex, sustained experience.
I link this to Henri Bergson’s idea of experiential duration, which, in opposition to objective linear time, is a continuously evolving ‘inner duration’. In the experience of walking as research, a single moment in linear time is not captured but instead this accumulated research feeds into my paintings to create an unfolding image of experience.
Further reading:
Nan Shepherd, The Living Mountain: A Celebration of the Cairngorm Mountains of Scotland, 1977.
Rebecca Solnit, Wanderlust: A History of Walking,
2002.
Henri Bergson and the Perception of Time.